I'm Still Looking for My Brother

I'm Still Looking for My Brother

The movie "#1917" by "Sam Mendes" is a very well make a film. Very good filming with its Long Ticket plans and simple screenplay nails the audience for about two hours. Creating leisurely moments and surprises, of course, and believable games, and the increasing inflammation of the film, are all highlights of the work. The movie is a journey into #war without the opportunity for grandparents advice. War is war and nothing more. Looking for "brother" is the wrong part of the script. It reminds us of the movie " #saving_private_ryan " made by "#Steven_Spielberg". In my opinion, this endless search for Western warfare is rooted in the lack of proper logic to fight. Wars that are not for the sake of patriotism. Vain deaths and more vain victories. The film does not intend to become an anti-war work, but because of this lack of ideology it inevitably becomes anti-war. And the good ending of the film is the result of another attack. In this movie, the same look #Darwin's: "Kill to survive" Someone who has no use in dead war, no longer grief, and will become rat food and ... There was no future and post-mortem world for the filmmaker, and only the defeat able and uninterrupted time was important to get there. But in my opinion, what is technically hidden within the film and that the full film owes to it is the #design-scene of this film, which is a remarkable feat. The scenes are intertwined like a giant puzzle and reveal an unmatched form. The bigger the movie goes, the bigger it becomes. Of course, we all know that a large percentage of these space are computer-specific effects. But that does not detract from the value of the work and thought required to create such scenes. 1917 is a great movie that will be a cinematic conversations for a long time.

Soheil Salimi

January 27st, 2020